If all your sources are from one camera, navigate down to Lookup Tables, and at Input DaVinci CTL choose the IDT you uploaded. Leave ACES Input Device Transform at "No Input Transform", and choose the desired ACES Output Device Transform, like Rec.709. Then start up Resolve, go to Project Settings/Color Management, and choose one of the ACES working spaces at the Color science selector. The IDTs are created in Davinci CTL format and should be uploaded to the folder containing your LUTs. Since the white papers of log picture profiles usually contain all the necessary information to build an IDT, I decided to create some of these.
These are the scripts that prepare your footage for ACES.ĪCES already supports a lot of log picture profiles from different cameras, but there are still a few missing. If you work in ACES, you are familiar with Input Device Transforms, or IDTs.
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